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Mumia Abu-Jamal
Kathy Acker
Erje Ayden
Jean Baudrillard
Barbara Barg
Bernadette Corporation
Michèle Bernstein
Dhoruba Bin Wahad
Catherine Breillat
William Burroughs
Pierre Clastres
Dhoruba Bin Wahad
Guy Debord
Gilles Deleuze
Jane DeLynn
Tony Duvert
Shulamith Firestone
Bob Flanagan
Michel Foucault
Eldon Garnet
Rainer Ganahl
Veronica Gonzalez
Félix Guattari
Amira Hass
Fanny Howe
Luce Irigaray
Alain Joxe
Liz Kotz
Chris Kraus
Julia Kristeva
Jurg Laederach
Sylvère Lotringer
Jean-François Lyotard
Christian Marazzi
Cookie Müeller
Heiner Müller
Eileen Myles
Antonio Negri
François Peraldi
David Rattray
Gerald Raunig
Suely Rolnik
Ann Rower
Assata Shakur
Peter Sloterdijk
Abdellah Taïa
Michelle Tea
Lynne Tillman
Masha Tupitsyn
Paul Virilio
Paolo Virno
Mark von Schlegell
David Wojnarowicz
Heather Woodbury
Nina Zivancevic
Masha Tupitsyn

Beauty Talk & Monsters

"What I'm in is a movie. What I am is a movie. This place is a place you want to look at, with a camera, or with just your eyes. Most people think that unless you use a camera, you're not seeing anything. But that's a 20th century disease."


Masha Tupitsyn's Beauty Talk & Monsters is a debut series of stories as told through the movies.  Equally influenced by Brian De Palma and Kathy Acker, Tupitsyn revisits the ruins of childhood and youth, nurtured on the fringe of the glittering lower Manhattan art world and the Atlantic haven of Provincetown in the 1980s.  Moving fluidly through space, time, and a range of cinematic frameworks, Tupitsyn cuts through the cynical glamour and illusion of Hollywood to a soft, secret heart.  

Her narrator, a female loner and traveler, is caught in the maelstrom of films and images, where life is experienced through the eye of a camera lens and seen through the light on the screen.  In a precise and elegant style, Beauty Talk embraces and confronts a lineage of familiar icons, myths, and on and off-screen cinematic excess in order to challenge the silver screen's century of power over our dreams and ideals.  Masha Tupitsyn's exciting new collection walks the line between the critical acumen of Laura Mulvey and the dark awareness of Mary Gaitskill.  Intimate and intellectual, Tupitsyn’s writing reshapes new narrative fiction for the next generation. 

Masha Tupitsyn was born in New York City.  An enfant terrible of the 1980s, her life-story is half Dirty Dancing, half Laurie Anderson’s Home of The Brave.  She grew up in a circle of Russian intellectuals and neo-avant-garde artists. In 1989, she lived in Moscow for a year where she witnessed and kept an in-depth journal of the cultural resurgence of Perestroika. In 2000, she moved abroad again to London for four years where she did an MA in Literature and Cultural Theory at the University of Sussex in England. In 2004, she worked at BOMB Magazine as an Assistant Literary Editor. She has received numerous fellowships and awards, and most recently, her forthcoming story, Houses (Or The Uncanny Glows in The Dark) was a 2005 finalist for the Panliterary Award for Fiction, sponsored by Drunken Boat Magazine. Her fiction and film criticism has been published or is forthcoming in Five Fingers Review, Unpleasant Event Schedule, Me Three, Monkey Bicycle, and Nth Position. Beauty Talk & Monsters is her first published book.


We are raised at the end of history in a visual and visually suspect culture, where the stories we see on screens in front of us are as real, more real, than the lives we life in our flesh. The movies are our parents - they bear us, we embrace them then we quarrel with them, leave them, then discover that we cannot leave them entirely. "I know I'm being watched but by whom" Masha Tupitsyn's narrator asks.   Is she paranoid?  Or just sentient? This stunning book is a reckoning with what it is to have been raised with the movies, to not be able to tell the difference anymore between what we've fantasized or dreamt of, what we've been frightened of, what may have been our own or no one's life.

—Rebecca Brown, author of The Haunted House and
The End of Youth


Marsha Tupitsyn


Beauty Talk

"Here is a festival of meaning! Masha Tupitsyn does not meditate on
the movies--she reactivates them in an uproar of image, desire, and
identification. Her stories are acts of discovery, written under
the sign of Kathy Acker, ambitious for literature itself, the prose
pitched high."

—Robert Glück, author of Jack the Modernist and Denny Smith

Here's how this books begins: "I walk down the hill on Law Street and it's like the beginning or the end of the world and the world and the end are a movie.  I'm like a kid with no parents...."