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Mumia Abu-Jamal
Kathy Acker
Erje Ayden
Jean Baudrillard
Barbara Barg
Bernadette Corporation
Michèle Bernstein
Dhoruba Bin Wahad
Catherine Breillat
William Burroughs
Pierre Clastres
Dhoruba Bin Wahad
Guy Debord
Gilles Deleuze
Jane DeLynn
Tony Duvert
Shulamith Firestone
Bob Flanagan
Michel Foucault
Eldon Garnet
Rainer Ganahl
Veronica Gonzalez
Félix Guattari
Amira Hass
Fanny Howe
Luce Irigaray
Alain Joxe
Liz Kotz
Chris Kraus
Julia Kristeva
Jurg Laederach
Sylvère Lotringer
Jean-François Lyotard
Christian Marazzi
Cookie Müeller
Heiner Müller
Eileen Myles
Antonio Negri
François Peraldi
David Rattray
Gerald Raunig
Suely Rolnik
Ann Rower
Assata Shakur
Peter Sloterdijk
Abdellah Taïa
Michelle Tea
Lynne Tillman
Masha Tupitsyn
Paul Virilio
Paolo Virno
Mark von Schlegell
David Wojnarowicz
Heather Woodbury
Nina Zivancevic
David Rattray

How I Became One of the Invisible

In order to become one of the invisible, I had to go through an ordeal known as throwing oneself in the arms of God… Some of us stayed for months, others years, many forever.

Put together by Chris Kraus just before David Rattray's sudden death and published in 1992, How I Became One of the Invisible has since circulated as a secret history and guide book to the mystical-poetic-outlaw tradition that runs throughout Western civilization from Pythagoras to the prophetic polyphony of 16th century In Nomine music, to the gang of marijuana harvesters and car thieves of East St. Louis, 1961, who become Rattray's friends.

Trained at Harvard and the Sorbonne, Rattray was a poet, translator and scholar, fluent in most Western languages, Sanskrit, Latin, and Greek. Living in Paris during the 1950s, Rattray re-traced the steps of Antonin Artaud and became one of Artaud's first and best American translators. Published by City Lights Books in 1963, Rattray's Artaud translations burned through the aura of transgressive chic that surrounded the poet to reveal the core of his incisive scholarship, technological prophecies, and visionary rage. As Rattray later said of translating Artaud, "You have to identify with the man or the woman. You have to identify with that person and their work. If you don't then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I wanted to translate Artaud because I wanted to turn my friends on and pass on a message that had relevance to our lives. That's why I was doing it. Not to get a grant, or be hired by an English department."

What Rattray did for Artaud, he went on to do for Friedrich Hölderlin, Rene Crevel, and the In Nomine music of John Bull, becoming a concert-level pianist to better understand the logic of baroque. He was, as Betsey Sussler wrote in Bomb after his death in 1993, "the most generous of writers."


How I Became One off the Invisible

... the willful wasting of scholarship, artistic, personal identity in getting to other places... the application of dangerously close friendships, drugs, literature and music to these travels. This book is a pilgrimage to unlit flows.”

— Jim Fletcher, Chemical Imbalance, New York