Home    New Releases    Coming Soon    Shop   Documents    Order Books   Subscribe    Contact Us

Mumia Abu-Jamal
Kathy Acker
Erje Ayden
Jean Baudrillard
Barbara Barg
Bernadette Corporation
Michèle Bernstein
Dhoruba Bin Wahad
Catherine Breillat
William Burroughs
Pierre Clastres
Dhoruba Bin Wahad
Guy Debord
Gilles Deleuze
Jane DeLynn
Tony Duvert
Shulamith Firestone
Bob Flanagan
Michel Foucault
Eldon Garnet
Rainer Ganahl
Veronica Gonzalez
Félix Guattari
Amira Hass
Fanny Howe
Luce Irigaray
Alain Joxe
Liz Kotz
Chris Kraus
Julia Kristeva
Jurg Laederach
Sylvère Lotringer
Jean-François Lyotard
Christian Marazzi
Cookie Müeller
Heiner Müller
Eileen Myles
Antonio Negri
François Peraldi
David Rattray
Gerald Raunig
Suely Rolnik
Ann Rower
Assata Shakur
Peter Sloterdijk
Abdellah Taïa
Michelle Tea
Lynne Tillman
Masha Tupitsyn
Paul Virilio
Paolo Virno
Mark von Schlegell
David Wojnarowicz
Heather Woodbury
Nina Zivancevic
François Paraldi

Polysexuality
Edited by François Peraldi

"I met François Peraldi, the special editor for "Polysexuality", in Paris through Felix Guattari. At that time he was working in France with adolescents in a psychiatric institution and was a bit of a hippie. He moved to New York at about the same time I did, and I asked him to edit this issue. He was assisted by filmmaker Kathryn Bigelow and painter Denise Green, who were also part of the Semiotext(e) art team. It took them two to three years to finish the issue. In the meantime Francois moved to Montreal. He became a professor at the university and he took a private practice as a psychoanalyst from the Freudian School (Lacan). His outlook also changed somewhat, and this is also inscribed in the issue. "Polysexuality" was also announcing, unaware, another dark threat that was going to affect deeply the culture. Like many outstanding people, François Peraldi died of AIDS in the 80s."

- Sylvère Lotringer
My 80s, Artforum

Originally conceived as a special Semiotext(e) issue on homosexuality at the end of the 70s, “Polysexuality" quickly evolved into a more complex and iconoclastic project whose intent was to do away with recognized genders altogether, considered far too limitative. The project landed somewhere between humor, anarchy, science-fiction, utopia and apocalypse. In the few years that it took to put it together, it also evolved from a joyous schizo concept to a darker, neo-Lacanian elaboration on the impossibility of sexuality. The tension between the two, occasionally perceptible, is the theoretical subtext of the issue. Upping the ante on gender distinctions, "Polysexuality" started by blowing wide open all sexual classifications, inventing unheard-of categories, regrouping singular features into often original configurations, like Corporate Sex, Alimentary Sex, Soft or Violent Sex, Discursive Sex, Self- Sex, Animal Sex, Child Sex, Morbid Sex, or Sex of the Gaze. Mixing documents, interviews, fiction, theory, poetry, psychiatry and anthropology, "Polysexuality" became the encyclopedia sexualis of a continent that is still emerging. What it displayed in all its forms could be called, broadly speaking, the Sexuality of Capital. (Actually the issue being rather hot, it was decided to cool it off somewhat by only using “capitals” throughout the issue. It was also the first issue for which we used the computer).

The "Polysexuality" issue was attacked in Congress for its alleged advocation of animal sex.

polysexuality

Polysexuality

Polysexuality” includes texts, among many others, of William Burroughs, Alain Robbe-Grillet, Georges Bataille, Jacques Lacan, Paul Virilio, Felix Guarrari, Gilles Deleuze, Pierre Klossowski, John Preston, Peter Wilson, Roland Barthes, Guy Hocquenghem, Roger Caillois, Verlaine, Sylvére Lotringer, Jean-François Lyotard, Paul Verlaine, Paul Guyotat, and François Peraldi.