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Mumia Abu-Jamal
Kathy Acker
Erje Ayden
Jean Baudrillard
Barbara Barg
Bernadette Corporation
Michèle Berstein
Dhoruba Bin Wahad
Catherine Breillat
William Burroughs
Pierre Clastres
Dhoruba Bin Wahad
Guy Debord
Gilles Deleuze
Jane DeLynn
Tony Duvert
Shulamith Firestone
Bob Flanagan
Michel Foucault
Eldon Garnet
Rainer Ganahl
Veronica Gonzalez
Félix Guattari
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Luce Irigaray
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Sylvère Lotringer
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Cookie Müeller
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Eileen Myles
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François Peraldi
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Gerald Raunig
Suely Rolnik
Ann Rower
Assata Shakur
Peter Sloterdijk
Abdellah Taïa
Michelle Tea
Lynne Tillman
Masha Tupitsyn
Paul Virilio
Paolo Virno
Mark von Schlegell
David Wojnarowicz
Heather Woodbury
Nina Zivancevic

Guy Debord

Translated by Stuart Kendall and John McHale
Introduction by McKenzie Wark

Correspondence
The Foundation of the Situationist International
(June 1957­August 1960)

This volume traces the dynamic first years of the Situationist International movement—a cultural avant-garde that continues to inspire new generations of artists, theorists, and writers more than half a century later. Debord's letters—published here for the first time in English—provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Circumstances, personalities, and ambitions all come into play as the group develops its strategy of anarchic, conceptual, but highly political "intervention."

Brilliantly conceived, this collection of letters offers the best available introduction to the Situationist International movement by detailing, through original documents, how the group formed and defined its cultural mission: to bring about, "by any means possible, even artistic," a complete transformation of personal life within the Society of the Spectacle.


Writer, filmmaker, and cultural revolutionary, Guy Debord (1931–1994) was a founding member of the Lettrist International and Situationist International groups. His films and books, including Society of the Spectacle (1967), were major catalysts for philosophical and political changes in the twentieth century, and helped trigger the May 1968 rebellion in France.